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AUTHOR TALKS

SCHOOL VISITS

I very much enjoy visiting schools, libraries and so on - in fact I regard it as part of the job. My aim is the inspire a love for reading, books and stories of all kinds rather than to help fullfill the needs of the National Curriculum . Costs start at £300 a day, plus expenses, plus VAT. I don't mind getting up early, but don't very often stay over night. Having said that, I do travel around and it's always worth getting in touch if you're interested, or if you can organise a stay of more than one day.

I also do story telling - Norse myths and fables.

These days I mainly speak to older teenagers, aged 14+, but I do also give talks for younger students, down to Year 7. Some of my earlier books, such as The Cry of the Wolf, Burning Issy, The earth Giant, The ghost Behind the Wall and so on, are for this younger age groups and I enjoy talking to them as well.

 

CONTENT

I appreciate that schools don't exist in isolation, and that the politics of the area, of parents, or of the staffroom may mean that certain books are not easy to present in school.  Very few schools are happy about readings from Doing It, for example.  If you have issues or concerns about content, please email me and I'll be delighted to discuss it with you - I can be flexible if need be.


TALKS AND WORKSHOPS

Workshops last a minimum of one and half hours and I can do two in a day. I can do three one hour talks in a day, unless you want me to speak to a hallfull, in which case, two. I'm always happy to meet students at lunch times and do signings and less formal meetings alongside the main talks - email me and to discuss it online at melvin@melvinburgess.net

 

BIOGRAPHY

I was born in Sussex in 1954 - far too long ago. I was an extremely dreamy and shy child, and I used to used to wander round muttering to myself and playing games with imaginary friends. My parents had to shout - "He's in the land!" to explain to people why I apparently couldn't hear what they were saying to me. I did very badly at school - I was daydreaming too much to concentrate on anything much.. It wasn't until I was pretty nearly grown up that I started to think that the world around me might be at least as interesting as what was going on in my own head.

I did poorly at school, although occasionally teachers would think I had a lot of promise. In those days we had an exam called the eleven plus, which you did just before you went to High School. If you were a clever kid with a good brain, you passed and went to Grammar School to learn brainy things, and if you were a dumb kid, you failed and went to Secondary Modern School and learnt how to do things with your hands. I was a kid with hands. I went to Secondary Modern School.

I wasn't very happy at my new school. I remember having a lousy teacher there, who bawled me out for doing a story in a way she hadn't ordered - I'd done it as a diary. She was furious! - called me out in front of the whole class and made a fool of me. So, she got no good stories out of me. My parents moved again, to Reading in Berkshire. This new school was going comprehensive - children of all abilities were to go there. I got on much better there, due to one or two very good teachers who helped me along, but I was still a poor worker, and came away with two very bad A levels, in Biology and English. Mine was only the second year to do A levels - I'm sure, if they hadn;t been just gagging to let anyone do them, no one would have let me near the exams at all..

Life got rapidly better for me after I left school, but for the first few months I hadn't got a clue what to do. My dad eventually filled in an application form for a job as a journalist with the local newspaper. Somehow I got the job and went off to do a course for six months training.

The course was great - it was my only real time as a student - but by the end of it I had decided that I really wanted to write and that no other career would do. I packed in the job as soon as I got back home, much to the editor's disgust. "I think the saddest, thing, Melvin, is that you have deprived someone else of a career opportunity," he intoned. Then I got on with writing my first book, which, of course, no one wanted to publish.

For the next fifteen years, I wrote on and off, had casual jobs here and there, spent a lot of time out of work with not much to do, and I enjoyed myself enormously. I moved to Bristol after a couple of years where I lived until I was thirty. Inner-city Bristol was a great place to live, with a big racial and cultural mix. I learned a lot there and got my feeling for life. My book Junk is based on Bristol in those years, and although it is not biographical, you can pick up a lot of the atmosphere and meet a few of the people in its pages.

I was living in London aged about thirty five when I began to think it was time for me to really try hard to see if I could make writing work for me. I'd written a great deal off and on for years, a lot of it experimental, but I'd never really put getting published over writing what I felt like writing. So I had a a go - I did short stories, radio drama, and children's fiction. I had some success in all three, but my book The Cry of the Wolf, was shortlisted for the Carnegie medal. So that's what I've been doing ever since.

I now live in Hebden Bridge, West Yorkshire, with my partner Anita.

 

 

 

HI-RES PHOTOS

HIGH RESOLTION publicity photos here for free download.

 


BIBLIOGRAPHY

Andersen Press Books are all in hardback .

The Cry of the Wolf, Andersen Press 1989; Penguin Plus, 1991; Puffin 1995

Burning Issy, Andersen Press 1992; Hodder Children's Books, 1993 and 1996

An Angel for May, Andersen Press 1992; Puffin 1994.

The Baby and Fly Pie, Andersen Press 1993; Puffin, 1995

Loving April, Andersen Press, 1995; Puffin, 1996.

The Earth Giant, Andersen Press,1997; Puffin, 1997.

Tiger Tiger, Andersen Press 1996; Puffin 1997.

Junk, Andersen Press, 1996; Penguin Books, 1997.

Kite, Andersen Press, 1997; Puffin 1998

The Copper Treasure, A&C Black, 1998.

Bloodtide, Andersen Press, 1999; Penguin 2001

Old Bag, Barrington Stoke, 1999

The Ghost Behind the Wall, Andersen Press, November 2000; Puffin January 2001

The Birdman, Andersen Press, November 2000.

Billy Elliot, The Chicken House, May 2001.

Lady, My Life as a Bitch, Andersen Press Autumn 2001, Puffin Books 2002.

Doing It, Andersen Press 2003, Penguin Books, 2004.

Bloodsong, Andersen Press 2005: Penguin Books 2007

Sara's Face, Andersen Press, 2006;Penguin Books 2008.

Nicholas Dane, Andersen Press 2009